Beyond the Digital-The Many Faces Within

first posted here

By Maesy Angelina in Digital Natives

Blank Noise, as many other digital native collectives, may seem to be complete horizontal at first glance. But, a closer look reveals the many different possibilities for involvement and a unique way the collective organize itself.

One day, during an afternoon stroll to the M.C. Escher museum in The Hague, I stumbled upon a painting called ‘Fish and Scales’. On the first glance, I saw two big black-and-white fishes and some smaller ones, but on a closer look I found hundreds of fishes, heading to different directions and merging seamlessly into the bigger fishes as their scales. Upon this discovery, I exclaimed out loud, “This is just like Blank Noise!”

No, I do not mean to imply in any way that the Blank Noise Project is like a fish, although it is definitely as fascinating as the painting. Rather, I found that this painting from the master of optical illusion is a great analogy to the structures of Blank Noise.

In the words of Kunal Ashok, one of the male volunteers, the collective consists not only of “people who volunteer or come to meetings, but anyone that have contributed in any way they can and identified with the issue.” In this sense, Blank Noise today consists of over 2,000 people who signed up to their e-group as volunteers.

How does a collective with that many people work? Firstly, although these people are called ‘volunteers’ for registering in the e-group, I would argue that a majority of them are actually what I call casual participants – those who comment on Blank Noise interventions, re-Tweet their call for action, promote Blank Noise to their friends through word of mouth, or simply lurk and follow their activities online. In the offline sense, they are the passers-by who participate in their street interventions or become intrigued to think about the issue afterwards. These people, including those who do the same activities without formally signing up as volunteers, are acknowledged to be a part of Blank Noise as much as those who really do volunteer.

Blank Noise is open to all who shares its concern and values, but its volunteers must go beyond articulating an opinion and commit to collective action. However, Blank Noise applies very little requirement for people to identify themselves with the collective. The main bond that unites them is their shared concern with street sexual harassment. Blank Noise’s analysis of the issue is sharp, but it also accommodates diverse perspectives by exploring the fine lines of street sexual harassment and not prescribing any concrete solution, while the latter is rarely found in existing social movements. The absence of indoctrination or concrete agenda reiterated through the public dialogue approach gives room for people to share different opinions and still respect others in the collective.

Other than these requirements, they are able to decide exactly how and when they want to be involved. They can join existing activities or initiate new ones; they can continuously participate or have on-and-off periods. This is reflected in the variety of volunteers’ motivations, activities, and the meaning they give to their involvement. For some people, helping Blank Noise’s street interventions is exciting because they like street art and engaging with other young people. Many are involved in online campaigns because they are not physically based in any of the cities where Blank Noise is present. Some others prefer to do one-off volunteering by proposing a project to a coordinator and then implementing it. There are people who started volunteering by initiating Blank Noise chapters in other cities and the gradually have a more prominent role. Some stay for the long term, some are active only for several times before going back to become supporters that spread Blank Noise through words of mouth. The ability to personalize volunteerism is also what makes Blank Noise appealing, compared to the stricter templates for volunteering in other social movements.

Any kind of movement requires a committed group of individuals among the many members to manage it. The same applies to Blank Noise, who relies on a group of people who dedicate time and resources to facilitate volunteers and think of the collective’s future: the Core Team. Members of the Core Team, about ten people, are credited in Blank Noise’s Frequently Asked Question page and are part of a separate e-group than the volunteers. In its seven years, the Core Team only went for a retreat once and mostly connected through the e-group. In this space, they raise questions, ideas, and debates around Blank Noise’s interventions, posters, and blog posts. Consequently, for them the issue is not only street sexual harassment but also related to masculinities, citizenship, class, stereotyping, gender, and public space. However, there are also layers in the intensity of the Team members’ engagement.

The most intense is Jasmeen, the founder and the only one who has been with Blank Noise since its inception until today. Jasmeen is an artist and considers Blank Noise to be a part of her practice; she has received funds to work for Blank Noise as an artist. Thus, she is the only one who dedicates herself to BN full time and becomes the most visible among the volunteers and the public eye. According to Jasmeen, she is not alone in managing the whole process within Blank Noise. Since Hemangini Gupta came on board in 2006, she has slowly become the other main facilitator. “It is a fact that every discussion goes through her. I may be the face of it, but I see Hemangini and me working together. We rely on each other for Blank Noise work,” Jasmeen said.

Hemangini, a former journalist who is now pursuing a PhD in the U.S., explains her lack of visibility. “Blank Noise could never be my number one priority because it doesn’t pay my bills, so I can only do it when I have free time and my other work is done.” The same is true for others in the Core Team: students, journalists, writers, artists. Unlike Hemangini who still managed to be intensively involved, they have dormant and active periods like the volunteers.

The Core Team’s functions as coordinators that facilitate the volunteers’ involvement in Blank Noise and ensure that the interventions stay with the values Blank Noise upholds: confronting the issue but not aggravating the people, creating public dialogue instead of one-way preaching. This role emerged in 2006 when the volunteer applications mounted as the result of the aforementioned blogathon. They have also initiated or made Blank Noise chapters in other cities grew. Although some of them have also moved to another city due to work, they remain active touch through online means. Together, the Core Team forms the de-facto leadership in Blank Noise.

I am tempted to describe Blank Noise as having a de-facto hierarchy in its internal organization. The form would be a pyramid, with Jasmeen on top, followed by the coordinators, long-term project-based volunteers, one-off-project-initiator volunteers, and then the casual participants. After all, it was clear from my conversations with the many types of volunteers within Blank Noise that they acknowledge that some people are involved more intensely and carry more responsibilities than others in the collective, that there is an implicit leadership roles. This is also shown by the reluctance of many volunteers to call themselves as an ‘activist’, claiming that the title is only suitable for people within those leadership roles and preferring to call themselves ‘supporters’, ‘part of the group’, or ‘volunteers’ instead.

However, doing this will be a mistake in interpreting the internal dynamics within Blank Noise. Firstly, the line between the types of participation is not as clear-cut as it appears to be. With the exception of Jasmeen, everyone from the coordinators to the one-off volunteers has active and dormant periods depending on what happens in their personal lives; they can shift roles quite easily. Some of Blank Noise coordinators, for instance, are now pursuing higher education abroad and could only be very active when the return to India during the holidays or when the school schedule is not as demanding. During momentary dormant periods, they turn into casual participants because those are the only roles they are able to take. Secondly, a hierarchy implies that casual participants are not important for the collective, whereas they turn out to be the main “target group” and the reason why Blank Noise has grown internally and in the public eye.

This is again a reason why I was so taken by Escher’s painting. There are definitely “big fish” leadership figures, but their scales are actually smaller fishes in different forms, symbolizing how the roles of a person in the collective could shift from “big” to “small” and vice versa depending on your perspective. The many fishes are not depicted horizontally, but also not in a clear hierarchy. Instead, they are interconnected with each other. The type of connection is not very clear and the fishes seem to be swimming in different directions, but they make a cohesive unity. This is the beauty of both Escher’s creation and Blank Noise.

This is the eighth post in the Beyond the Digital series, a research project that aims to explore new insights to understand youth digital activism conducted by Maesy Angelina with The Blank Noise Project under the Hivos-CIS Digital Natives Knowledge Programme.

The photo of M.C. Escher’s painting ‘Fish and Scales’ is borrowed from:

http://www.mathacademy.com/pr/minitext/escher/big.asp?IMAGE=fish_and_scales

Beyond the Digital-The Class Question

First posted here

By Maesy Angelina in Digital Natives

Blank Noise aims to be as inclusive as possible and therefore does not identify any specific target groups. Yet, the spaces and the methods they occupy do attract certain kinds of volunteers and public. This raises the class question: what are the dilemmas around class on digital interventions? Are they any different from the dilemmas on street interventions?

My first click to Blank Noise’s main blog was a surprise. Having read so many media coverage about them, I expected to see a professional, minimalist looking website like other women’s organizations[1] where the menu is immediately visible. Instead, I have arrived at the most common and basic form of blogging: the personal blog.

I was greeted by entries on their latest thoughts and activities with photos and text with red font against a black background. I scrolled down a long list of permanent links on the right side of the site and arrived only at its Frequently Asked Questions link on the 28^th item while it would be one of the easiest to spot in other websites. For me, this discovery said, “we would like to share our thoughts and activities with you” rather than “we are an established organization and this is what we do”. It is not the space of professionals, but passionate people. As a blogger myself, I recognize the space as being one of my peer’s and immediately felt more attracted to it.

Reflecting on my own position, my familiarity with the space is due to my background as a young, urban, educated, English-speaking woman for whom the Internet is a key part of life. My ‘peers’ who are also attracted to this place apparently share the same background with me. The main demography of Blank Noise’s volunteers, almost equally men and women, are those between 16-35 years, urban, and English speaking (Patheja, 2010). My interviewees were all at least university educated, some in the U.S. Ivy league, and are proficient users of social media, most of them being bloggers or Twitter and Facebook users.

This dominant base reflects the discourse on the ‘youth of India’, which represents only a fragment of India’s vast population of young people. The two narratives on the youth of India are described by Sinha-Kerkhoff (2005) as ‘the haves’ and ‘have-nots’, a reflection on the broader discourse on the deep social economic inequities in India. ‘The have-nots’ are the majority of Indian youth who are struggling with the basic issues of livelihood, health, and education, while ‘the haves’ are painted as the children of liberalization: the mostly urban, middle class, technologically savvy, and highly educated students and young professionals up who maintain a youthful lifestyle up to their 30s.

Although ‘the haves’ only consist 10% of the total youth population, they are the ones identified as the youth of India by popular discourses. Lukose (2008) explained this by stating that youth as a social category in India is linked to the larger sense of India’s transformation into an emerging global economic powerhouse together with Brazil, Russia, and China (popular as BRIC) after its liberal economic reform in the 1990s. India’s information and technology industry is spearheading this transformation, thus it feeds into the discourse of youth as Digital Natives.

Although there are exceptions to this dominant demography, they are far fewer. Does this then mean that Blank Noise is ‘contextually empowering’ (Gajjala, 2004), given that it reaches only ‘the haves’ due to the digital divide and their sites of participation?

The classed nature of the virtual public space is something Blank Noise fully acknowledges. Some interviewees stated that this is why street interventions are so important; they reach people who may not be Internet users. However, people who have been involved in Blank Noise for more than two years acknowledged that class issues are also present in the physical public space.

Dev Sukumar, one of Blank Noise’s male volunteers, explained to me that the British colonial legacy still shape the way public spaces in Bangalore are organized. The commercial areas in the city centre where Blank Noise interventions were initially organized, such as M.G. Road and Brigade Road, are dominantly inhabited by English speaking people, but in other parts of the city there are many who can only speak the local language, Kannada. After recognizing this, Blank Noise organized street interventions in such places, like the Majestic bus stand, and making flyers and stencils in Kannada. In order to do this, Blank Noise specifically called for volunteers who knew the local language.

The interventions might be in a non-elite space, but the main actors remain those from the middle class. Hemangini articulated the class issue in Blank Noise, saying “Like it or not, a lot of the people in Blank Noise are from the middle class and a lot of the people we have been talking to on the streets are of a certain class. What is the ethics in a middle class woman asking ‘why are you looking at me?’ to lower class men? It is if we already assumed that most perpetrators are lower class men while it is definitely not true.”

The reflexivity Hemangini shows led me to rethink the assumptions around digital activism. It is often dismissed as catering only to the middle class, privileging only one side of the digital divide. But then again, the class issue is also present in the physical sphere. If middle class youth mostly attracts their peers in their digital activism, is it problematic by default or is it only problematic when there is no accompanying reflection on the political implications of such engagement? How is it more problematic than the ethical dilemma of middle class people addressing their ‘Others’ in street interventions? Is the problem related to the sphere of activism (virtual versus physical), or is it more about the methods of engagement and the reflexivity required for it?

Hemangini told me that her dilemma is being shared and discussed with other members in Blank Noise’s core group, consisting of those who dedicate some time to reflect on the growth and development of the collective. They have no answer just yet, but they intend to continue reflecting on it. I have no idea what their future reflection looks like, but I do know that the class implications of the cyber sphere will be resolved with more than simply taking interventions to the streets. Considering that the actors of youth digital activism are, like it or not, urban, middle class, educated digital natives, Blank Noise’s reflection will indeed be relevant for all who is interested in this issue. And if you have your own thoughts on the strategies to resolve this dilemma, why don’t you drop a comment and reflect together with us?

This is the seventh post in the Beyond the Digital series, a research project that aims to explore new insights to understand youth digital activism conducted by Maesy Angelina with Blank Noise under the Hivos-CIS Digital Natives Knowledge Programme.

Beyond the Digital-Diving Into the Digital

First posted here

by Maesy Angelina in the Digital Natives

Previous posts in the ‘Beyond the Digital’ series have discussed the non-virtual aspects and presence of Blank Noise. However, to understand the activism of digital natives also require a look into their online presence and activities. This post explores how Blank Noise’s engagement with the public in their digital realm.

Action Heroes!

Through interviews and web-observations, I identified three ways in which Blank Noise and the virtual public engage with each other.

The first is by responding to the content provided by Blank Noise, such as commenting in posts or participating in polls or Facebook campaigns. There are cases where the comments turned the post into a space for intense discussion that raises interesting issues around street sexual harassment that are as significant for BN as it is for the viewers, such as Jasmeen’s aforementioned post of a harasser’s picture.

Yet, in other cases the comments ended up as a one-way communication that ignores thepossibility of turning into a public conversation. An example for this is Blank Noise’s ‘What does it take to be an Action Hero?’ event that I participated in. The event was hosted on Facebook from 25 June to 31 July 2010 and asked people to contribute a definition or a characteristic of an Action Hero, a woman who faces threat and experiences fear on thestreets of her city, but can devise unique ways to confront it. Blank Noise raised a potential conversation by asking questions for statements that tread on grey lines. A person who contributed ‘anyone who acts/protests against any form of behaviour which tends to outrage his/her sense of modesty’ was questioned on what modesty is and why it becomes a parameter, but it was not further responded. Furthermore, none of the other contributors attempted to raise or engage in such conversation.

I wondered what kind of meaning one could create from this limited way of participation and received several answers. It is a way to stay in touch and contribute to Blank Noise when one is not able to engage physically, as is the case for Laura Neuhaus after she left to continue her studies in the U.S. For others, it is a way to familiarize herself with the collective before deciding whether she wants to engage further. For the coordinators, it is to keep the momentum alive in between major interventions when they are committed to other priorities.

The second type of engagement is by actively producing content, like Rhea Daniel’s, a Mumbai-based design consultant, feisty poster contribution for theaforementioned online campaign or by sharing testimonials for the community blogs. Nandita Chaudury, a 29 year old researcher, wrote a story on her experience with street sexual harassment for Blank Noise Action Heroes community blog to show her support for BN but, more importantly, also to share experiences she wouldn’t share with anyone in real life.

Nandita said, “No one would want t share their most traumatic stories in public. I wouldn’t do it on my own blog, because I don’t want to come out yet, but I appreciate the space Blank Noise provides. After commenting in the posts and see how the discussion goes, I felt that it is a supportive space. Online contribution allowed me to stay anonymous while sharing my story to a wider public, so I felt confident in doing that.”

She further explained to me that reading others’ stories and receiving comments for hers made her feel less isolated and helped her healing process. Blank Noise’s cyber presence functions as a virtual support group for women affected by street sexual harassment, who relish a space where it is considered as a real issue and found more freedom to share given the anonymity granted by the Internet. Through their public testimonials, women demonstrate their agency in resisting harassments and undergo the transformation from victims into Action Heroes. Kelly Oliver (in Mitra-Kahn, unpublished: 17[1]) argued that writing experiences of a trauma, in this case street sexual harassment, helps the self heal by using speech and text to counter their emotions and exercise their agency;the process of empowerment that occurs hence establishes Blank Noise as a (cyber)feminist praxis. This is also a form of culture jamming: breaking the existing silence on street sexual harassment in the virtual public space.

Being a part of the virtual group helped Nandita to better cope with street sexual harassment in the physical public space, a sign that the virtual and the physical spheres mesh as reality for many of youth today. Nevertheless, this not the case for every youth. “Without real world activism, I would not have been able to deal with street sexual harassment in any real way,” said Annie, who found BN through the blogathon and has since become a coordinator.

Nandita and Annie’s stories are examples of how the virtual and physical spheres mesh in their lives, but also that the link between the two has points of disconnection that they are fully aware of. While Annie was ready to address the issue on the streets, Nandita was uncomfortable with doing so – but they were both went through a personal change enabled by Blank Noise’s cyber presence. Furthermore, the choices they made could be accommodated by Blank Noise through its online and offline interventions. This also shows a linkage or connection between the virtual and physical spheres in Blank Noise’s activities.

The online presence of Blank Noise serves multiple functions. It is a site for organization, mobilization, empowerment, and many possibilities for engagement that can be chosen based on one’s interest and abilities. It has value in itself, but it does not stand alone. It resonates with the street interventions in its potential to facilitate personal change at the individual level and beckons those who encounter Blank Noise to also extend their participation at the physical space – ifthey choose to do so. Blank Noise presents possibilities, but it is up for people to use and give meaning to it.

This is the sixth post in the Beyond the Digital series, a research project that aims to explore new insights to understand youth digital activism conducted by Maesy Angelina with Blank Noise under the Hivos-CIS Digital Natives Knowledge Programme.

amidst fathers brothers husbands and unclejis

A big thank you in advance for reflecting, confronting and articulating responses to the questions below. Your responses will be published on the Blank Noise Guy blog in March (date to be announced). Incase you do not wish your name to be published, please provide us with another name. You can also fill this form here. For any questions, clarifications, suggestions- we're at blurtblanknoise at gmail.com . And another thank you in advance for taking these not so comfortable conversations home :)

Yours truly,

BN Team

Anand's response to Locutus83

Anand Philip continues the conversation started by Locutus83 in our blog post- GOT MAIL through his blog post . Anand describes himself as a 'lapsed Healthcare professional on perpetual vacation who writes in his mind regularly and on http://anandphilip.com occasionally.'

Anand and Locutus83's post are also hosted at our BN GUYS blog

Accidental Eveteasing and Other Mythical Beasts

first posted here

This post is in reply to the letter “Locutus83″ Sent to Blank Noise [Click here to Read it] asking some very honest and fundamental questions. I loved his honesty, openness and willingness to be wrong. This is also, partially, in response to the general riff raff and chit chat I have come across on various sites related to eve-teasing and street sexual harassment. And as Locust asks, have included a “guide to being a gentleman” as I cant think of anyone better suited than I to write such a guide.

Defining Eveteasing: Eveteasing is not a set of pre-defined actions. It is whatever makes women feel unsafe, powerless, predated upon and unwelcome. How you look, where you look, how long you look, what you do etc can serve as guidelines, but are not what marks eveteaing. However, terms are useful and necessary for awareness and education etc because discreet actions can be measured and evaluated.So also sexual thoughts are not eveteasing, nor are they wrong. Sexual thoughts are not disrespectful, they are natural, normal and in my opinion respectful. However, any sexual gratification that happens at the expense of another persons dignity, space and well being is inherently wrong, be it a thought or action.

How do women know? Women know because from childhood they have been preyed upon, its not sixth sense, its conditioning. From very young, girls are instructed by their parents, relatives and teachers to behave modestly, dress sensibly and mind their own business, and in the process hammering into their minds that being eveteased is their fault and it’s their responsibility to evade eveteasing. Men, on the other hand, have a free run, on the rare chance some girl stares back, snaps, or threatens to hit you with a chappal, it is laughed off and considered a small thing. So also, from childhood they are used to stares, looks, comments, whistles and so conditioned to detect and evade such behaviour.

Do they enjoy it? No woman, ever, under any circumstance whatsoever, enjoys being eveteased. This is not a matter of semantics, but a serious and fundamental issue. Eveteasing makes a woman feel helpless, powerless and dehumanized, NO ONE enjoys this. No sane person would expect women to enjoy rape (many insane people think they do), same way, no action, behavior or words that prey upon women can make them feel good.

Do women want us to stop looking? Blank noise and women in general do not want to stop men from looking, or staring, or making compliments, they want to stop harassment. This is not moral policing, not “neutering” of men, but of making them aware that preying on women is disgusting, illegal and will get their bottoms kicked.

Is it person dependant? Refer para. 3 What makes a statement/action eveteasing is essentially the attitude. So it doesn’t matter if a compliment comes from a poor man or rich, if respectful, appropriate, will be taken well. Guys who stand around the corner in groups and say “tamatar kya bhaav hai?” to passing women are not complimenting their breasts, they are being assholes.

Accidental Eveteasing. This seems to be the underlying question Locust and many others seem to have. In case the title of the article was not clear enough, and the first few points didn’t clear this misunderstanding, let me be very clear. You can no more eve tease someone by accident than you can mistakenly end up with your penis inside a cadaver. Comments do-not tumble out of your mouth and eyes dont automatically get glued to breasts.

But, occasionally, very rarely your look might be mistaken for lechery, this is not the norm but the exception. In such a situation, be honest, apologize, and look elsewhere. Women dont consider all men to be sexually deviant predators, they dont walk around looking for an excuse to use their pepper sprays. Mistakes happen, owe up and move on.

Guide for men.

There is no Guidebook
There is no “do this, dont do this” list that you can mug up and follow. Actions matter, but attitude is what causes action. The basic quality is respect for women, not the fake, filmy, “but you are my sister” kind, but respect as will be demonstrated by you not talking to womens breasts, or whistling at them.

Respect is not conditional. Expecting women to fit into the stereotypes that history has handed down before respecting them is fake, futile and will result in your acting like a dick.

Be socially appropriate.
As I said, there is nothing wrong in appreciating beauty, male, female, tree or car. However, it is important to be wise in the way one appreciates. I dont believe in lists, but there are some things that you can outright cross off you list. What works in the movies, like stalking, songs, and displays of macho-ness do not work. Also the street is not really the best way to find someone to start a relationship with. In most circumstances, a smile, nod, quick look-over will have you safe. But you have to learn what is appropriate.
Learn from the best
Just because you respect women does not mean you can do no wrong. You can still do something stupid, tacky and clumsy. This has more to do with social skills than attitude. The cure for that is to have female friends, no one knows what women want better than women. (Not only will women friends help you learn how to behave around women, they will also help you inyour pursuit of becoming a better boyfriend with ample advice and first hand experience in shopping and suchlike.)

Dont be scared, women are not looking for an excuse to call you a pervert.

Above all;

No means No

She is not asking for it. In fact, she never asks for it

To you, Locust, clearly you have no lack of respect for women, so i’d say you need to stop worrying about “accidentally” eveteasing someone, and go have fun.

amongst fathers husbands brothers and uncle-jis

Ever chatted with dad + uncles + grandfather + brothers + husbands + boyfriend about eveteasing and street sexual harassment? O

r is it just one of those things you 'understood' without having to discuss?

Or would you take a chance and get talking about it with your father or uncles or grandfather or your brother in the next one month?

Send your response/ thoughts/ memories/ conversations in an email or a blog post to blurtblanknoise at gmail com subject titled 'papa said'/ 'abba said'/ 'dad said'/ or brother/ uncle/ grandfather said deadline: feb 21 To confirm your participation in this event do email us immediately and announce this event on your blog/ twitter / fb page to spread the word.

For any questions thoughts suggestions please write to us.

Tweet this:

ever chatted with dad uncles bros abt #eveteasing #streetsexualviolence ?http://bit.ly/efXJ6I

Beyond the Digital-The Digital Tipping Point

First posted here

by Maesy Angelina in Digital Natives

Is Web 2.0 really the only reason why youth digital activism is so successful in mobilizing public engagement? A look into the transformation of Blank Noise’s blog from a one-way communication medium into a site of public dialogue and collaboration reveals the crucial factors behind the success.

What images popped in your head when you hear the term ‘digital activism’? Those that popped in mine are of campaigns that originated in the Internet, perhaps with a blog, a Youtube video, or a Facebook group, mobilizing people to take part in a certain action to advocate for a cause or to respond to a specific event. Whether the request is to sign a petition for a new legislation or to wear a specific colour on a specific day, the campaigns also ask people to spread the message, usually responded by re-tweets, status updates, and link-shares that appear on my timeline. These campaigns, like the famous Wear Red for Burma or the Pink Chaddi, are usually responses to certain events and dwindle after the events have passed.

With its four blogs, two Facebook groups, a YouTube channel, and a Twitter account, at first glance Blank Noise certainly resembles the images in my head. However, they popped one by one as I got to know Blank Noise better. For one, as I have shared before, Blank Noise was not a response to a specific event but rather the long term, ongoing, structural problem of street sexual harassment. For another, street interventions started as the main core of Blank Noise and have remained a crucial element despite its prolific online presence. Blank Noise did not start in the Internet nor did it immediately turn to Web 2.0 for its mobilization.

The main blog was created soon after Blank Noise started in 2003 to serve as an archive, information center, and space to announce future street events. The diverse online campaigns, lively discussions in the comment section of blog posts, and abundant blog post contributions by people who have experienced, witnessed, or committed street sexual harassment started after two unexpected events that I call ‘the digital tipping point’.

The first was when Jasmeen Patheja, the founder of Blank Noise, started uploading pictures of her harasser, taken with her mobile phone, to the blog in March 2005. The first picture was of a man who had stalked and pestered her for coffee despite her rejection to his unwelcomed advances. While some readers applauded her action, many challenged the post. How is the action different from “Can I buy you a drink?” Can it trigger the change wanted, especially since the guy might not even have access to the Internet? Is the action of publicly labeling the man as a perpetrator of street sexual harassment ethical, especially since the man has not been proven guilty?

These challenges then spiraled into a long discussion (72 comments!) about the grey areas of street sexual harassment and the ethics around confronting perpetrators. Although Blank Noise still continue to upload snapshots of harassers (this intervention is called ‘Unwanted’), their pictures have since then been blurred until the face is unrecognizable, including the one in the original post. This event was when Jasmeen realized that the blog also has the potential of being a space for discussions, opinions, and debates – the public conversation that Blank Noise aims for.

The second tipping point was when one of Blank Noise volunteers proposed an idea of a blogathon to commemorate the International Women’s Day in 2006. Blogging had become a major trend in India around 2004 and the blogathon basically asked bloggers around India to write about their experience with street sexual harassment in their private blogs and link the post to the Blank Noise blog. The bloggers invited were both women and men, people who have either experienced, witnessed, or committed street sexual harassment. The blogathon was an immense success, perhaps due to the frustration on the silence and downplay of street sexual harassment into eve teasing. Suddenly, eve teasing became a booming topic on the web and Blank Noise received media and (mostly the cyber) public attention.

This is when the idea of online interventions started. In the following year, Blank Noise created the first of its blogs that consist entirely of contributions from the public: the Action Heroes blog, a growing compilation of women’s experiences in dealing with street sexual harassment. It is then followed by Blank Noise Guys and Blank Noise Spectators, which respectively concentrates on the experiences of men and people who have witnessed street sexual harassment. Other than the community blogs, the main blog also introduced collaborative online campaigns in 2008, such as the ‘Museum of Street Weapons’ (a poster project that explores how women uses everyday objects to defend themselves against street sexual harassment) and ‘Blank Noise This Place’ (a photo collection of places where street sexual harassment occurs). These interventions were not only online; they were also collaborative and invited the public to participate.

These tipping points are intriguing not only for being the triggers to Blank Noise’s transformation to one of the most important digital activism in India (Mishra, 2010), but also for the reason why they are successful in doing so: they are able to attract public participation.

The first tipping point was able to attract people to participate by commenting on a post. The said post was very simple; it consists of a picture and a one-paragraph text that depicts a conversation between the harasser and the woman:

“stalker no. 1: " Excuse me, have we met before?" machlee: no Stalker no. 1: Yes we have! On commercial street! I work in a call centre. I am a science graduate." machlee: why are you telling me all this? stalker no. 1: can I have coffee with you? machlee: can i photograph you? stalker no. 1: yes! sure you can! stalker no.1: blah blah blah” (Patheja, 2005)

Having been used to NGO pamphlets and blog posts, I have come to equate discussion on sexual harassment as a very serious discussion with long text and formal language. This post is so different from what I was used to, but it was clear to me that even though the language was casual, the issue and intention were serious. The casual presentation spoke to me “we would like to share our thoughts and activities with you” rather than “we are an established organization and this is what we do”. It is not the space of professionals, but passionate people. As a blogger myself, I recognize the space as being one of my peer’s and immediately felt more attracted and comfortable to jump into the conversation.

The second tipping point attracted the more active, substantial participation than commenting; many people actually created texts, photos, or posters for Blank Noise. It was possible because Blank Noise opened itself. Jasmeen opened up to an idea of a volunteer, who opened up to the possibilities offered by the cybersphere. Instead of depending on a core team to conduct an intervention, Blank Noise opened up to a project that entirely depended on the public’s response to be successful. Moreover, Blank Noise opened up to diverse points of views and many types of experiences with street sexual harassment.

It is widely acknowledged that the success of a digital activism lies on its ability to attract public collaboration; however, the digital tipping points of Blank Noise underline several important factors behind the ability. Attracting public engagement is not always a result of a meticulous pre-planned intervention. On the contrary, it might spawn from unintentional events that welcome diverse points of view, adopt a peer-to-peer attitude, invite contributions, and most importantly, touched an issue that is very important for many different people. Web 2.0 is an enabling tool and site for dialogue, but it is certainly not the only reason behind the success of digital activism in galvanizing youth’s engagement.

This is the fifth post in the Beyond the Digital series, a research project that aims to explore new insights to understand youth digital activism conducted by Maesy Angelina with Blank Noise under the Hivos-CIS Digital Natives Knowledge Programme.